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3D Coat is a 3D asset creation package that focuses on modeling, sculpting, retopology, UV-mapping, and texture painting.

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The software is popular for boutique studios and indie developers alike. But it does not have a rigging and animation toolset, although really it doesn’t need one. What 3D Coat does, it does it well.

With the vast 3D software landscape it can get confusing so let’s simplify it: 3D coat is somewhat of a combination between ZBrush, Mari and Substance Painter – at an affordable price. Definitely worth learning if you can use such a sculpting and modeling tool in your arsenal.

3D Coat For Noobs

Aimed for all newcomers, this three-part video series will teach you the fundamentals in working with 3D Coat.

It’s actually a funny demonstration where you’re greeted by a 3D mascot that proceeds to explain all the basics of 3D Coat.

The video will guide you with creating high poly sculpting and generating low poly models with retopology. You’ll also UV map your model for preparation in texturing/painting – all within 3D Coat.

The author also clarifies that you have two ways of creating models: either in sculpting or in retopology. Throughout this process you’ll learn several tricks such as creating chains, duplicating objects, and creating masks to isolate a modeling area.

The author also shows common pitfalls for beginners and how to avoid them. Be sure to check part 2 and part 3 for the rest of the series.

Learning The Interface

The usual bottleneck for the unsuspecting beginners is not necessarily the software’s features, but actually its interface.

With this tutorial you learn the heart of 3D Coat’s interface: the rooms (or called workspaces in other applications).

You’ll learn about the sculpt, retopology, and UV rooms, among many others. The user interface is dynamic so with every room switch you’ll get different tools and panels.

Later in the video you’ll learn how to customize your interface such as resizing panels and even tearing them off for a floating panel – handy if you have more than one monitor.

Importing Objects For Painting

3D Coat offers several importing options on any particular tasks, say for retopology or painting.

And in this case you’ll deal with the latter. While importing is a fairly easy task, the import dialogue box is a bit heavy handed for new users.

This tutorial guides you the pertinent parameters to change(or not to change) such as renaming UV sets, bringing in an external normal map, or changing the map size. You’ll also get some pointers for the paint tools as well.

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If you need some practice you can download the project file to follow along.

Hardsurface Design

Here you’ll learn how to make a sci-fi gun – a good case study for hard surface design work.

First you’ll import a block out model from Maya. Alternatively you can create the block out in 3D coat with simple primitive tools(if you know what you’re doing).

For the most part though, you’ll create details with voxel sculpting.

You can easily follow along as the author enables a key logger that shows the buttons he presses which is incredibly helpful. You’ll also learn several tips such as cut-off, relocating a selection, and creating rounded corners.

If you want exclusive content from the author you can also check his Patreon page to become a patron.

Sculpting in 3D Coat (Livestreamed)

In this detailed live stream you’ll learn how to speed up your workflow with the transform tools.

You’ll also create pipes, bolts, and screws to detail an asset from scratch. The artist also shows handy tricks such as changing views, toggling symmetry on and off, or using the voxel hide tool in a real-world scenario.

Later in the presentation you’ll tackle a complex sci-fi bust and prepare it for exporting to other applications. By the end of the video you’ll pick up a lot of 3D Coat’s advantages over other sculpting tools such as Mudbox.

If you want to stay updated with any future stream content you can check this Streamlabs page.

UV Mapping

Generally, UV Mapping is a boring process. It’s the time where you put on your headphones and grind through till the end. It’s really bland.

But it doesn’t have to be.

UV Mapping in 3D Coat is surprisingly fun and interactive.

Whenever you create a seam, the UV editor automatically updates both for the 2D and 3D viewer. It will also automatically color in the specific segments.

You’ll even have proper packing features that allow you to pack UV Islands neatly.

And here’s another handy feature not available in other software: when you run a loop seam it knows when to stop when it meets another seam. What a time save!

Even if you bought this software just for UV Mapping it would still be worth the price tag.

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Unwrapping and Texturing

In this free tutorial you learn how to unwrap an organic object (in this case, a bust) as opposed to a hard surface object(which is what the previous tutorial teaches).

Here you’ll find the process intuitive since symmetry also works in unwrapping.

For the most part you’ll get hands-on for texturing. You’ll also discover the many texturing types 3D Coat offers such as per-pixel painting, micro vertex painting, and vertex painting.

Be sure to check out part 2 of the tutorial to pick up even more tips.

PBR Texturing

In recent years Physically Based Rendering (PBR) has been the standard of authoring materials.

Originally popularized in games, it has since been used in all types of production. Fortunately 3D Coat is prepared with a texture toolset specifically for your PBR needs.

To practice your PBR work in this video you’ll texture a screw.

Yes, it’s not super interesting. But the techniques are.

You’ll check your UV map first using a checkerboard. Then you proceed with a base metal layer and an additional layer for the paint. You’ll break up the pattern using several brushes and generate procedural maps such as curvature and ambient occlusions maps.

Needless to say, since you are working on a PBR environment, you can see the results in real time and learn very quickly.

Add Your Own Smart Materials

To meet deadlines you’ll often be using presets that you customize for your workflow.

This is where smart materials come in.

It’s technically a material preset but better, as it generates procedural maps automatically. For instance, you can generate the dirt where crevices exist with any model.

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